Episode 15
Electronic Jazz, Part 3: Early Synthesizer Jazz
Adding a new expressive instrument to jazz.
Playlist:
- Don Sebeskey, “Water Brother” from The Distant Galaxy, 1968.
- Arranged By, Conductor, Moog Synthesizer – Don Sebesky
- Clavinet – Warren Bernhardt
- Bass – Chuck Rainey
- Drums – Donald McDonald
- Electronic Effects– Rick Horton
- Burton Greene, “Slurp!” from Presenting Burton Greene, 1968.
- Piano, Harp [Piano Harp], Harpsichord [Electric], Voice [Chants], Moog Synthesizer, Written-By, Arranged By, Conductor– Burton Greene
- Alto Saxophone, Trumpet – Byard Lancaster
- Bass – Steve Tintweiss
- Percussion – Shelly Rusten
- Ornette Coleman, “Man on the Moon,” a single released in 1969.
- Alto Saxophone, Producer, Arranged By – Ornette Coleman
- Bass – Charlie Haden
- Drums – Ed Blackwell
- Electronics [Bell Telephone synthesizer] – Emmanuel Ghent
- Tenor Saxophone – Dewey Redman
- Trumpet – Don Cherry
- Jon Appleton & Don Cherry, “OBA” from Human Music, 1970
- Flute [Wood, Bamboo, Metal], Kalimba, Drums [Earthquake], Cornet [Traditional Mouthpiece and Bassoon Reed], Producer, Composed By – Don Cherry
- Synthesizer, Electronics, Producer, Composed By – Jon Appleton
- Realized at the Bregman Electronic Music Studio, Dartmouth College, Hanover (New Hampshire, USA).
- Paul Bley, “Mr. Joy” from The Paul Bley Synthesizer Show, 1971
- ARP 2500 Synthesizer, RMI Electric Piano – Paul Bley
- Bass –Glenn Moore
- Drums –Steve Hass
- Composed By – Annette Peacock
- Herbie Hancock, “Quasar” from Crossings, 1972
- Electric Piano, Piano, Mellotron, Percussion – Herbie Hancock
- Moog Synthesizer – Patrick Gleason
- Bass Trombone, Tenor Trombone, Trombone [Alto Trombone], Percussion – Julian Priester
- Congas – Victor Pontoja
- Drums, Percussion – Billy Hart
- Electric Bass, Bass, Percussion – Buster Williams
- Soprano Saxophone, Bass Clarinet, Piccolo Flute, Percussion, Alto Flute – Bennie Maupin
- Trumpet, Flugelhorn, Percussion – Eddie Henderson
- Voice – Candy Love, Della Horne, Sandra Stevens, Scott Beach, Victoria Domagalski
- Moog and mellotron recorded at Different Fur Trading Company, San Francisco.
- Herbie Hancock, “Spank-A-Lee” from Thrust, 1974.
- Fender Rhodes electric piano, Clavinet [Hohner D-6], ARP Odyssey Synthesizer, ARP Soloist, ARP 2600, ARP String] – Herbie Hancock
- Drums – Mike Clark
- Electric Bass – Paul Jackson
- Percussion – Bill Summers
- Soprano Saxophone, Tenor Saxophone, Bass Clarinet, Alto Flute – Bennie Maupin
- Synthesizers recorded at Different Fur Trading Company, San Francisco.
- Mahavishnu Orchestra, “Celestial Terrestrial Commuters” from Birds of Fire, 1973
- Guitar – John McLaughlin
- Keyboards, Minimoog Synthesizer – Jan Hammer
- Violin – Jerry Goodman
- Bass – Rick Laird
- Drums – Billy Cobham
- Mahavishnu Orchestra / John McLaughlin, “Inner Worlds Part 1 and 2” from Inner Worlds, 1976
- Guitar, Effects [Frequency Shifter], Guitar Synthesizer, E-mu Synthesizer/Sequencer] – John McLaughlin
- Bass Guitar [Brassmaster Bass] – Ralphe Armstrong
- Drums, Gong, Timpani [Tympani] – Narada Michael Walden
- Synthesizer [String], Synthesizer, Customized Polyphonic Mini-Moog, Steiner-Parker Synth – Stu Goldberg
- Thanks for Bob Moog for his help.
- Chris Swansen, “Moondog, Can You Hear Me?” from Album II, 1975
- Synthesizers [Moog ICA Performance, Moog Mark III, Badger Polyphonic], Effects [Bode Ring Modulator and Frequency Shifter], Electronics [Badger Frequency Spectrum Generator], Tape [Scully Tape Recorders, Dolby A Noise Reduction System], Producer – Chris Swansen
- Effects [Modulation] – Jon Weiss
- Engineer [Technical Assistance] – Bill Hemsath
- Synthesizer [Moog Polyphonic] – Don Croker
- Miroslav Vitous, “Synthesizers Dance” from Magical Shepherd, 1976
- Bass, Guitar, Minimoog Synthesizer – Miroslav Vitous
- Drums – Jack DeJohnette
- Fender Rhodes electric piano, ARP Odyssey Synthesizer – Herbie Hancock
- Percussion – Airto Moreira
- Sun Ra and his Intergalactic Research Arkestra, “Space Probe” from private recording, November 1969.
- Moog Modular Synthesizer - Sun Ra
- Later officially released in 1974 on an album
- Recorded at Gershon Kingsley studio in New York.
The Archive Mix in which I play two additional tracks at the same time to see what happens. Here are two additional tracks of electronic jazz and synthesizers:
- Paul Bley, “Improvisie” from Improvisie, 1971. ARP 2500 synthesizer and RMI electric piano.
- Herbie Hancock, “Sleeping Giant” from Crossings, 1972. Moog Modular synthesizer by Patrick Gleeson.
For more information, read my book: Electronic and Experimental Music (sixth edition), by Thom Holmes (Routledge 2020).
Also see my paper, Thom Holmes (2018): The Roots of Electronic Jazz, 1950–1970, in Jazz Perspectives
Version: 20241125
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