Episode 7
Strange Sounds from the Movies 1931-1972
Title, Director, composer |
Country |
Year |
Track |
Instrument |
Story |
Alone (Odna), Grigori Kozintsev and Leonid Trauberg, music by Dmitry Shostakovich |
Russia |
1931 |
“The Snowstorm” |
Theremin |
Perhaps the film sound film to incorporate a Theremin in its score. The audio for this part of the film has been lost but we have this reconstruction by Mark Fitz-Gerald based on Shostakovich’s score. The work was recorded in 2006 and features Barbara Buchholz playing both tracks of Theremin. |
Le Roman D'un Tricheur (leh-ROH-mah deh TREE-shure)(The Story of a Cheater) by Sacha Guitry (GIE-tree), music by Adolphe Borchard |
France |
1936 |
Short sequence while traveling on a train. |
Ondes Martenot |
Played by Ginette Martenot, sister of Maurice Martenot. |
Spellbound, Alfred Hitchcock, music by Miklós Rózsa (MICK-los ROSE-ah) |
US |
1945 |
The dream sequence from the Spellbound suite. |
Theremin |
This recording was by Al Goodman and his orchestra and featured Hoffman, who was in the original soundtrack a year earlier. Note that there is a vocalist doubling the Theremin but at a higher octave. |
Spellbound, Alfred Hitchcock, Miklós Rózsa |
US |
1945 |
The dream sequence from the Spellbound suite. |
Theremin |
For comparison, a recording from 1958 by Raymond John Heindorf and his orchestra. The fidelity is a little better on this track and the theremin is played without the added vocalist. |
The Day the Earth Stood Still, Robert Wise, music by Bernard Hermann |
US |
1951 |
Gort / The Visor / The Telescope |
Theremin |
Samuel Hoffman again, on Theremin and a wonderful orchestral score by Hermann. |
The Day the Earth Stood Still, Robert Wise, music by Bernard Hermann |
US |
1951 |
The Captive, Terror |
Theremin |
Here is Hermann again, with Hoffman on Theremin and a Hammond Novachord in the ending part. |
Forbidden Planet, Fred McLeod Wilcox, music by Louis and Bebe Barron |
US |
1956 |
Main Title |
Handmade circuits |
The Barrons had their own private studio for making electronic sounds and music for television, commercials, and motion pictures. |
Forbidden Planet, Fred McLeod Wilcox, music by Louis and Bebe Barron |
US |
1956 |
Battle with the Invisible Monster |
Handmade circuits |
See above |
Forbidden Planet, Fred McLeod Wilcox, music by Louis and Bebe Barron |
US |
1956 |
Ancient Krell Music |
Handmade circuits |
See above |
Music from One Step Beyond, music by Harry Lubin |
US |
1960 |
Fear |
Trautonium |
The instrument had ribbon controllers to make the gliding notes entirely possible and measure against notes of the scale so that the musician could hit his notes accurately. |
Raumpatrouille - Space Patrol – The Fantastic Adventures of the Spaceship Orion, Theo Mezger and Michael Braun, music by Peter Thomas |
Germany |
1966 |
Outside Atmosphere |
Siemens "ThoWiephon" |
Thomas created a musical instrument called "ThoWiephon.” It was a small, upright device with 12 oscillators and a three-octave keyboard. |
Girl on a Motorcycle, Jack Cardiff, music by Les Reed |
UK |
1968 |
Dream |
Tape composition |
Electronic music composition for this film starring Marianne Faithful was credited as being made at Shepperton and Putney. |
Girl on a Motorcycle, Jack Cardiff, music by Les Reed
|
UK |
1968 |
Surrender to a Stranger |
Tape composition, oscillators |
As above. |
Sebastian, David Greene, music by Jerry Goldsmith and Tristram Cary. |
UK |
1968 |
Sputnick Code |
Tape composition |
The only contribution to this soundtrack not credited to Jerry Goldsmith was this number by Tristram Cary, a British composer with his own electronic music studio.
|
Lawrence of Arabia, David Lead, music by Maurice Jarre |
UK |
1962 |
That is the Desert |
Ondes Martenot |
Here we have two of Jarre’s uses of the Ondes Martenot, the first to provide atmosphere for a desert scene and the second a rendering of the title theme on the electronic instrument. |
Lawrence of Arabia, David Lead, music by Maurice Jarre |
UK |
1962 |
Lawrence and the Bodyguard |
Ondes Martenot |
As above. |
Billion Dollar Brain, Ken Russell, music by Richard Rodney Bennett |
US |
1967 |
Anya 2 |
Ondes Martenot |
Richard Rodney Bennett composed the music that included passages played on the Ondes Martenot. |
The Heart is a Lonely Hunter, Robert Ellis Miller, music by Dave Grusin |
US |
1968 |
Married People |
Ondioline |
Dave Grusin arranged this tune for the Ondioline, a monophonic electronic organ invented in 1948. |
The Name of the Game is Kill, Gunnar Hellström, music by Stu Phillips |
US |
1968 |
Main Title |
Moog Modular Synthesizer |
Stu Phillips employed Paul Beaver to overdub tracks of the Moog Modular synthesizer onto music recorded with other instruments. |
On Her Majesty's Secret Service |
US |
1969 |
James Bond Theme |
Moog Modular Synthesizer |
Working with composer John Barry, Phil Ramone produced this part for the Moog and played the synthesizer in real-time with the orchestra. |
Follow Me, Gene McCabe, music by Stu Phillips |
US |
1969 |
Hawaii—Waimea-Straight Down |
Tape composition, multi-instrumental mix |
Another track by Stu Phillips for this surfing movie. |
Andromeda Strain, The, Robert Wise, music by Gil Melle., |
US |
1971 |
The Piedmont Elegy |
Percussotron and tape composition |
Gil Melle and his Percussotron. There is a delightful promotional video of him demonstrating the Percussotron on YouTube. |
Andromeda Strain, The, Robert Wise, music by Gil Melle. |
US |
1971 |
Strobe Crystal Green |
Percussotron and tape composition |
As above. |
Sacco and Vanzetti, Giuliano Montaldo, music by Ennio Morricone |
Italy |
1971 |
La Sedia Elettrica |
Synket |
Music by Ennio Morricone using the Synket, a small tabletop synthesizer.
|
Solaris, Andrey Tarkovsky, music by Eduard Artemiev |
US |
1972 |
Movement 2 |
ANS photoelectronic synthesizer |
Eduard Artemiev used the ANS synthesizer, a photoelectronic musical instrument created by Russian engineer Evgeny Murzin from 1937 to 1957. |
Solaris, Andrey Tarkovsky, music by Eduard Artemiev |
US |
1972 |
Movement 14 |
ANS photoelectronic synthesizer |
As above. |
This episode’s Archive Mix in which I play two tracks at the same time to see what happens:
Track 1: Sim Gets Hit from The Name of the Game is Kill, by Stu Phillips.
Track 2: The Summer House from Girl on a Motorcycle, electronic sound effects created at the Putney studios in London.
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