Episode 132
The 2024 US Open Sound Experiment
Playlist
Note: The starting times indicate at which time during the podcast a sound begins. The tracks often overlap based on the given length of each track.
|
Time |
Track Time |
Start |
|
Introduction –Thom Holmes |
03:36 |
00:00 |
|
1. Chair Umpires |
01:19 |
05:24 |
|
2. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Granular effect, Classic. |
03:46 |
05:40 |
|
3. USTA Billie Jean King Tennis Center—outer courts. Quick Sampler, Bent Guitar. |
06:16 |
07:20 |
|
4. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Spectral effect, Blur |
01:50 |
09:08 |
|
5. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Spectral effect, Low/High Cut. |
02:58 |
10:56 |
|
6. Arthur Ashe Stadium, Meta-Synth, Inertia setting |
25:16 |
11:26 |
|
7. Grandstand Stadium, Meta-Synth, Inertia setting, |
08:36 |
12:16 |
|
8. Grandstand Stadium, Auto-Filter, Constant Rise Four Bars. |
08:33 |
29:48 |
|
9. Grandstand Stadium, Arturia MiniFilter V, Beatchopper. |
08:33 |
31:02 |
|
10. Arthur Ashe Stadium, Delay Designer, Buzz Pattern. |
26:05 |
34:40 |
|
11. Louis Armstrong Stadium, Delay Designer, Pulse Groove. |
24:42 |
54:36 |
|
12. Grandstand Stadium, AutoFilter, Volume Gate Filter. |
22:31 |
01:16:38 |
|
13. Arthur Ashe Stadium, Pedlboard, Blue Echo, Squash Compressor. |
30:28 |
01:36:28 |
|
14. East Village Neighborhood, AutoFilter, Resonant High Pass; Delay Designer, Ring and Roll. |
27:28 |
01:37:56 |
|
15. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Granular effect, Classic. |
07:56 |
02:02:48 |
|
16. USTA Billie Jean King Tennis Center—outer courts. Quick Sampler, Bent Guitar. |
08:02 |
02:03:56 |
|
17. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Spectral effect, Blur |
03:46 |
02:06:59 |
|
18. USTA Billie Jean King Tennis Center—outer courts. Sample Alchemy, Spectral effect, Low/High Cut. |
02:54 |
02:09:44 |
Recording equipment used: Zoom Hn4 Pro digital recorder; Shure CVB-B/O Boundary Condenser Microphone; Boya Omnidirectional Cardioid XLR Lavalier Microphone.
Opening background music: Opening background music: A mix of tennis recordings set to a track called “Make It Good” by DJ Tennis (2012 Life and Death). The tennis recordings include excerpts from Arthur Ashe, Learn Tennis (For Beginners & Advanced Players) (1974 Manhattan Recording Company), John Newcombe, Tennis With John Newcombe (1974 K-Tel), and Evonne Goolagong, Tennis Tips By Evonne Goolagong (1975 Fleetwood Records), narrated with questions by Bud Collins.
Additional opening, closing, and other incidental music by Thom Holmes.
My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022.
See my companion blog that I write for the Bob Moog Foundation.
For a transcript, please see my blog, Noise and Notations.
Original music by Thom Holmes can be found on iTunes and Bandcamp.
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